Playwriting

Fat and Blood, or the Whole Varied Drama of Hysteria is Hannah’s first play. Verrrrrrrry loosely based on The Yellow Wallpaper by Charlotte Perkins Gilman, this play about Victorian queers, loneliness, and a very important mustache was developed in an independent residency at the Eugene O’Neill Theater and received a workshop at Hartbeat Ensemble’s WTF Festival in 2018.

Fat and Blood, or the Whole Varied Drama of Hysteria (Cast size 6-10, gender flexible)
HartBeat Ensemble’s Women’s Theater Festival, 2018
Directed by Adam Lee Secor, Music Direction by Dan Deutsch, Choreography by Alexa LaFever
With Frankie Alicea, Amy Bentley, Masem Enyong, Manda Jacobi, John “Tang Sauce” Manselle-Young, Meg Kiley Smith, Debra Walsh, Tonille Watkis, and Joni Weisfeld.
Lighting by Emma Graydon, stage managed by Jeanna Dittmar and Anna Anthony.

hart- i think it feels more like this

hartbeat53b (7 of 78)

hartbeat53c (36 of 79)

hart-hysteria gets married

hart-tonille chain of sisters

hartbeat53c (47 of 79)

hartbeat53c (23 of 79)

hartbeat53c (35 of 79)

Bandwidth (cast of 3, gender-flexible), a ten-minute play for a digital platform, was developed for Vintage Soul Production’s Quick Quarantined Play Fest, and was later presented as part of The Brick Theater’s Out of an Abundance of Caution series. Bandwidth takes a peek into commerce and intimacy in a near-future where everything has moved inside because of the persistent virus. Also, Christmas elves.